PIERRE

Kizimkazi, Indian Ocean, Zanzibar, 2025

Light settles gently on skin, dissolving boundaries between human form and environment, allowing intimacy rather than distance to guide the composition.

Like Impressionist painting, the work resists narrative and permanence. It is concerned with immediacy, with what is felt rather than explained. The photographs hold a quiet attentiveness to connection: between nature and body, between moment and memory.

Rather than documenting a scene, the series offers a shared state of being—one where belonging is sensed, briefly, through light, form, and trust.